REVERIES
2024
2024
Rachel
No, Not Nancy!
Roger (Bad News)
Née Jones
William’s Unwilling
(interlude)
What Bobby Did
Just Loretta
Charity Case
Kenneth, more
Teddy
The Missing Chums are:
Matthew Peabody: Vocals / Guitars / Keyboards / Bass / Xylophone
Mike Kegler: Drums / Percussion / Drum Programming / Sampling
All songs by The Missing Chums.
Produced by Joe Tessone and The Missing Chums.
Engineered, mixed and mastered by Joe Tessone at Mystery Street Recording Company, Chicago.
Cover art by Jason O'Grady / Repeater Printing. Rest in peace, friend.
The Missing Chums would like to thank Fos, Joe, Gorilla, Em, Cece, Aaron, Lynds, Patty, the Flat Disc Society of Chicago, Asia, Sophie, Lily, US, Matt D, Tony, and Phil.
Special thanks to Debora Masterson and the Masterson family, who allowed us to use the voice of their father, the legendary “international disk jockey” Paul Masterson. His dedication to his wife and Debora’s mother, Adell, upon the birth of their daughter could not have been a more fitting start to our record, and we are forever grateful.
Something’s amiss. Awry. Askew. All questions, no answers… because there aren’t any.
You’ve never been what you wanna
And I’ll never be what you wanted me to be
It’s an indictment on your reverie
So when is Rachel coming over?
Does she plan on staying more than just the night?
It’s an indictment on your memory
When you extracted all the silver
I knew that my father would lose his lid
Such predictable formalities
Oh my lady whatever happened to you?
Conversations in the corner
A one-sided affair
Talkin’ to someone who isn’t even there
Whatever happened to you?
Whatever happened to you?
Permanence has been diagnosed. The proverbial goalposts have shifted accordingly. But evasion has consequences.
She’s shake shakin’
With no idea of when she will stop
Fake fakin’
Another day pretending it’s not
There’s not some turn around that we are all expecting to drop
She’s take takin’
Another pill to manage the knots
Forsaken
Supplanted by fantastical thoughts
There’s not some turnaround that we are all expecting to drop
Unless we turn around and start re-living backwards from now
There’s not some turnaround that we are all expecting to drop
Unless we turn around and start re-living backwards from now
How, how, how?
How can we erase what’s been forgotten anyhow?
Why should we replace the things we’re meant to disavow?
She’s ache achin’
Another neurological shock
Fake fakin’
Another day pretending it’s not
There’s not some turnaround that we are all expecting to drop
Unless we turn around and start re-living backwards from now
How, how?
How can we erase what’s been forgotten anyhow?
Why should we replace the things we’re meant to disavow?
The cover-up is over. The lies have been discovered. It’s time to fight back.
All your lies and all your lies and all your
All your lies and all your lies and all your
All your lies and all your lies and all your
All your lies and all your lies and all your
So you’d like to think you’ve got me figured out
Well I’ve got bad news
And though it’s nothing like you’d thought it’d be about
Well it’s still bad news
When someone you’ve known and loved your entire life reveals themself as an imposter.
Who are you?
She’s up to all of her old tricks again
Thinkin’ daddy’s tryin’ to do her in
I just don’t know where to begin
She says the FBI is on their way
They’re gonna take your daddy far away
But he ain’t got nothing to say
My old man’s got nothing to say but
Who are you?
She tossed her ring into the junk drawer
Next to a bottle of Pamelor
It’s not like she’s taking it anymore
But in a sudden bout of clarity
“Oh, what’s the point?” she said to Charity
Confessing she ain’t who she used to be
Forever lost within a reverie of
Who are you?
A full-scale invasion no amount of troops could sufficiently combat.
December
A full moon
An argument
“I’m gonna leave!
No one can stop me!”
Remember
This old tune
A document
Saying “please, go on without me.”
But William’s unwilling to go
A thumbnail
A crumb trail
Evidence
That’s gonna lead
To what we’d be fearing
A phone call
A tell-all
It’s evident
You’re gonna flee
Without reappearing
But William’s unwilling to go
He’s hardly impressed
With all that he’s known
William’s unwilling to go
A candle
It flickers
A blue flame
It’s gonna be
All of the light ya need
A handle
That’s grip-less
And slippery
Will never heed
All of the fight we need
But William’s unwilling to go
He’d rather invest
In a reverie’s glow
William’s unwilling to go
Which is worse: circumventing the inevitable? Or taking advantage of it?
You should be ashamed of yourself
For what you did
But even more for what you didn’t do
Although it wasn’t up to you
But I can’t help but blame myself
For what Bobby did
And even though you didn’t have a clue
I knew it wasn’t up to you
That doesn’t mean it should be up to me
That doesn’t mean it should be up to me
That doesn’t mean it should be up to me
That doesn’t mean no, that doesn’t mean no no
Well heaven knows when I’ll be leavin’ here
‘Cause of what you did
It’s Halloween and all the ghosts are out
When reveries are at their most devout
That doesn’t mean I shouldn’t scream and shout
That doesn’t mean I shouldn’t scream and shout
That doesn’t mean I shouldn’t scream and shout
That doesn’t mean I shouldn’t scream and shout
A diversion disguised as reassurance. An injection of happiness to numb the pain.
“I’m fine, son.
You must believe me.”
Another one of your lies
Spawned from a series of reveries
Playing tricks on your mind
You claimed to need a change of scenery
From the home that you made
Far from all familiarity
Such a vulgar display
Maybe I’m not okay
‘Cause I’ve been listenin’ to too too
Too many sad songs
Too many sad songs about you
We walked into your apartment
But I hadn’t a clue
How you could possibly afford the rent
A couple thousand or two
Just Loretta and you
Just Loretta and you
I’ve been listenin’ to too too
Too many sad songs
Too many sad songs about you
The cavalry has arrived. Help is here. Will it last?
It’s time we start looking for answers
‘Cause mama’s been taking more chances
At fleeing the scene
I found someone in the want ads
Experience working with nomads
Sounds like a dream
Oh!
It sounds like a dream, oh!
It sounds like a dream!
An interview half past eleven
She made such a lasting impression
It's gonna work out
Your reveries won’t know what hit them
‘Cause Charity’s all but rewritten
How this’ll play out
Oh!
It sounds like a dream, oh
It sounds like a dream!
No!
It’s no longer a dream, no!
It's no longer a dream!
It’s time we stop asking these questions
It’s time we stop asking these questions
There’s no choice other than to give in. The final moment has come.
Dressed in an old negligee
As fragile as a Faberge egg
You told me Bill was on his way
Oh is he now?
Why don’t we move this inside?
I promise Dad hasn’t any cyanide
There’s no need to run and hide!
It’s not allowed
How about I make you a cup of tea?
And we’ll have a chat while we let it steep
Your reveries have replaced your sleep
Oh have they now?
Your final words I hold so dear
“T’was so nice to have you here.”
What followed next was my biggest fear
But anyhow
History has repeated itself. The afterlife has gained another angel.
“I’m sorry,” she said
But I didn’t know what she meant
It was one thing
Grandma fell down the stairs
All but left for dead
With nothing for her to hold on to
For her to hold on to
From the gift shop downstairs
I bought her a teddy bear
For something
She reached out to me
Lost in a reverie
I was one thing she could hold on to
I was the only thing she could hold on to
I was the only thing she could hold on to
She could hold on to
She could hold on to
She could hold on to